Category Archives for "News"

Only One Way to Finish a Novel…

By terranceacrow | News

Tonight, for the first time since the Fall 2019 anime season started, I spent an evening working on A Ghast in the Machine.

In the beats for the 17 chapters I’ve written so far, I had introduced the main characters from Terran Consolidated Products, TransStell, and the United Nations. There are two groups remaining, and I tackled one of them tonight.

I need to built out the European Union, specifically the contingent from Germany, led by Hans Alder. I’d already defined him, and tonight I filled out his staff with Helisent Ockert, his ministerial assistant; Stefan Linde, another assistant; and Jack Booth, his British public relations manager.

I also scouted a couple of locations, like some sites in Brussels, Belgium and another in Beijing, China. By “scouted” I mean looked up in Google Earth Pro. But it’s still amazing to me, having grown up with paper maps, how much detail I can get about practically any developed location on the face of this planet — at the cost of a few mouse clicks.

As proof that I made progress, may I offer this screen cap of the new UN characters and a new chapter? Yeah, it’s one chapter, but guess how far I’ll get if I don’t start with one?

This season, I’m throttling back to a single full review of an older series on Crow’s World of Anime. The rest will be Best in Show reviews, which means I pick a single favorite moment per episode. That should free up about 8 hours or so a week for novel writing — maybe more, since I only have to take notes on an episode if I’m writing a full review.

When I sat down tonight, all of the usual doubts were there. I told myself I had no idea where the plot was going. I had no idea what motivated the characters. I had no ideas how I was going to manifest my themes in a way that was natural to the plot.

Then I started writing.

I had no idea the British Empire wanted to use the discovery of interstellar fissures to reassert themselves. But that’s what motivates Jack Booth. I had no idea that Helisent Ockert hated Hans Alder passionately, yet supports him — for reasons she’ll make clear later.

I could go on, but the point is simply this.

Only by writing can I write.

Yeah, it’s stunningly obvious. But it’s as hard as it is obvious. It hard to trust that the imagination knows what it’s doing. Was Jack Booth always there, just waiting for me to catch up? Did my imagination create him at runtime, just as I needed something to happen with Hans Alder?

Does it matter?

Two and half hours after I sat down, the EU portion of A Ghast in the Machine was in place and is growing. Either my imagination was generating stuff on the fly, or I was tapping into some kind of subconscious engine that’s been incubating these characters and situations all this time. Either way, as I type — as I write — stuff happens. Isn’t that what counts?

China’s next…

Do you find it easy to write your beats? Do you even write beats, or do you do the pants thing (i.e, just make up the plot as you go)? Let me know in the comments!

Lesson Learned: Focus is Good

By terranceacrow | News

When we last chatted on this site, I was trying a new technique to outline my novels before writing the beats. I’d successfully written the beats for Divinity Ascending, but I felt like there had to be a faster way. In my previous post, I talked about trying out OmniOutliner and tried it out.

There’s good news and bad news. The good news is that OmniOutliner is a fantastic outlining tool. The bad news is that making an outline wasn’t what was holding me up.

Please allow me to take a moment and confirm some advice we’ve all heard before: If you want to finish writing a novel, you have to write the novel. Putting a little different spin on that, I’d also say that if you want to finish a novel’s beats, you have the write the novel’s beats.

I got caught up trying to make an outline explicitly following  Larry Brooks’ Story Engineering. I still think it’s a fantastic resource, and I’m still using it as a guide, but I found that if I try to use it as the skeleton of an outline, I couldn’t make progress.

So now I’m taking a different tack. I’m trying to think through the political, corporate, religious, and other world-building elements. Since I’m often away from my desk when I have time to work on that stuff, I’m using Notes on my iPhone, laptop, or (when I manage to get home) my iMac.

Another factor is that since early this year, I’ve experimented with increasing the number of posts on my anime site, Crow’s World of Anime. In the Spring 2019 anime season, I went from about 3 posts a week to 5. In the Summer 2019 season, I went to 8. I learned two important lessons:

1. I could publish content daily (two on Sunday, including a collaboration with Irina from I Drink and Watch Anime), which means I had time to write.
2. Writing 8 posts a week meant I had little time for, you know, novel writing.

In essence, I was trading the excitement and pride in producing content whose daily readership is steadily increasing for progress on the novels.

Starting with the next anime season, I’m going to reduce my output to 2 main reviews, a collaboration review (if my collaborator has not grown weary of collaborating with me!), and one or two abbreviated reviews, which I call Best in Show. That’ll free up some time for novel preparation and writing.

If that’s not enough time, I might cut back to one main review, a collaboration review, and 2 or 3 Best in Show reviews. The latter are much faster to write, though my readers seem to prefer the longer form reviews.

If it means I can force myself to focus more attention on novel writing, it’ll be more than worth it.

Apologies for any typographic errors — I had a few minutes before turning in, and I wanted to give you a quick update. Please feel free to share any thoughts about Apple’s Notes or integrating it with Scrivener (especially beyond just copy/pasting!).

Thanks for stopping by!

The Need for Speed

By terranceacrow | News , Novel Pre-Production

I’ve been working on the beats for A Ghast in the Machine since at least May 2018. My last update in October boasted that I’d finished the beats for about 12 chapters. Guess how many I have now?

Sixteen.

That’s about two a month.

Clearly, I need to make some changes! I started thinking about why I was able to finish Divinity Ascending’s beats in a shorter span of time, and I think I figured out why. It’s a much more simple plot. I didn’t have to juggle as many plot or character interactions, so I was able to keep track of things with a minimum of administrative overhead.

Ghast seemed much more difficult to even start the beats, much less push them forward. I was taking a lot of time to reacquaint myself with the lay of the land between sessions, Using Scrivener’s cork board view and using different tags to color the Point of View (POV) characters helped, but there was still that burden of having to re-immerse myself every time. Some nights, I get less than a half an hour quiet time, and it’s easy to spend that much just getting ready!

Scrivener’s cork board is awesome, but I was missing something. Some key to getting more quickly back into the book’s universe.

I began to wonder if I needed a higher-level outline for Ghast. Something that would be more abstract than the beats, but at the same time, be more accessible — and accessible more quickly. 

I did a bit of research and found posts like this one from the Scrivener forum. Scrivener can do outlines, but in the way felt natural to me. Plus, I love Scrivener for what it can do for the rest of the process, from character sketches to world building to beats to actually writing the novel. I didn’t want to interfere with any of those areas of functionality.

I thought it was time to look at a product that specialized in one thing: outlines. I needed something where I could sketch the main plot milestones that I learned from Larry Brooks’ Story Engineering. 

As we all know, Google’s our friend when it comes to something like this. I used it to narrow down the list, but you know what? I wasn’t comfortable choosing something that’s going to be integral to my writing based on reviews alone. I had to be able to evaluate the product first.

I’ve used products from the Omni Group for years. I used OmniGraffle to create sketches of some of the interiors for the Indiana, one of the ships that’s going to play a big role in Ghast. Before that, I used OmniPlan to create moderately complex project plans. In both cases, I had good experiences not only with the products, but with the products’ tech support. It felt natural to try OmniOutliner for my current quest. 

Since I have a Mac, I was able to use the App Store to download a trial version that would let me emulate the two versions: Essentials and Pro. I set the emulation to Pro and tried to re-express the beats I’d done as a plot-centric outline. 

OmniOutliner looks like it’ll give me the higher level view that I think I need. I hope. 

I learned two things from the exercise. First, OmniOutliner’s highlighting and other formatting tools will help me keep organized and oriented. I think it’ll give me a way to quickly engage with the material by showing me the plot context of each major development. I can map one major plot point/development to a family of beats.

Second, it showed me something I wasn’t looking for, but should have been: Because I didn’t have this view of the plot, my beats were drifting away from the plot structure I think I need. That means one of two things: I’ll need to spend a lot of time re-writing the beats to realign them, or I’ll miss that need entirely and end up writing the book based on plot-skewed beats. 

That would mean one of two things: reduced readers because the plot would not be as satisfying, or a much bigger investment in time for rewrites. I would prefer to avoid either of those scenarios, thank you very much!

Now, I just hope that OmniOutliner will have the impact I hope it does! One of the benefits to me maintaining this blog is that I can see exactly how long things are taking, so I hope to have the answer soon!

Have you used a special-purpose outliner? If you have, I’d love to hear about your experiences! 

The Universe Expands! Well, This Corner of It, Anyway…

By terranceacrow | News

A Ghast in the Machine Takes Shape!

By terranceacrow | News

A Ghast in the Machine continues to take shape! It’s been May since I last posted about it, and I haven’t made anywhere near the progress I wanted, but I’m still fighting the good fight!

Well, at least I haven’t given up…

That’s something!

Here’s what Scrivener looks like right now:

Now, before you accuse me of sloth, take a look at the Characters folder. You’ll see some work’s done there! Plus, you can’t see the Planetary Systems folder, or the folder called Ships…

Like Divinity Ascending before it, the background is expanding by leaps and bounds. It’s not reflected yet in the beats, but I have the elevator speech done, so that’s guiding my development. At this stage, I have two things I’d love to share with you.

First, I just learned that one of new characters, Yessica Romero, is from Cusco, Peru. I had no idea! I love discovering stuff like this about my characters. Whether this is just me trying to make the creative process sound more portentous or not, it’s still fun to see the characters develop at this stage of my novel writing process. In case you’re interested, Yessica is the President of the UN’s General Assembly. Whereas Divinity Ascending focused on what had once been the United States, A Ghast in the Machine takes place all over the globe and beyond the Sol System. In fact, this is the book that beings to move in the direction I’d originally envisioned for the series — that of a Space Opera.

Second, I just had lunch with one of my friends, Bruce Westbrook. Since Divinity Ascending takes place mostly on Earth, I can’t really call it Space Opera, can I? That was really bugging me, because I’d intended for it to be the first book in the series. Bruce, an avid science fiction reader, reasonably suggested that I make Divinity Ascending a prequel and release it after the initial two or three books to satisfy the curiosity of readers who might like the characters and situations.

And suddenly, everything made sense!

A Ghast in the Machine will likely (according to my current plans, which, as you well know if you’ve been reading this blog, change from time to time) be the first book that I try to publish. Instead of a trilogy, I think I’ve come to understand that the characters and situations are pushing me towards a long-running series. I’ll probably try to publish two or three books, then release Divinity Ascending. Or maybe I’ll save it as a gift to entice folks to join my e-mail list.

In any event, I had to write the beats for Divinity Ascending before I could understand how to start A Ghast in the Machine. So the work, far from being wasted, was foundational.

Now, if I could just figure out how to wring more time out of a day…

As it stands now, I’m having a blast fleshing out the world and writing the beats. I really hope to have something concrete to share with you soon! Until then, have you ever read fanfic? You might know that I watch a lot of anime (it’s good for the creative juices!). One of the series (Sekirei Pure Engagement) inspired me to write a short story, and you can read it here.

At least it’s evidence I can write fiction! Note that I’m not making any claims to its quality…

Thanks for reading!

The Beats for Novel 2 (Trilogy 1) Are Underway!

By terranceacrow | News

I’ve been able to give real life the slip for a few days, so I’ve been able to get started on the beats for the second novel (of the first trilogy)!

Remember when I announced that I’d finished the beats for Divinity Ascending? At that time, I wasn’t sure what the next novel would be called. The two main characters of Divinity Ascending, Melchizedek “Dek” Conrad and Matsushita Sachi, had staged a coup, and they forced me to reconsider my plans for the first trilogy. After intense negotiations (you have to keep both eyes on Sachi, I can tell you!), we’ve decided on the title of the book 2:

A Ghast in the Machine

Before, I mentioned that the Ghast wasn’t even supposed to be in the first book. Well, not content with a larger role in Divinity Ascending, she demanded to be featured in title for the second book. And to be honest, I still don’t know her motives. I’m not kidding — this character’s going places I didn’t intend!

The screen shot above is from what I’m evolving as my default Scrivener template for a book. It’s only a little different from the standard Scrivener fiction/novel template, but I like to add things like the “In a Nutshell” section with the elevator speech. I was surprised how much that helped me focus the direction of Divinity Ascending. Want a taste of the first few lines of the elevator speech from A Ghast in the Shell?

What if you try to get away from the corporations, but they get there ahead of you?

Starts in Spring, 2166.

At the end of Divinity Ascending, Mel and Sachi had struck a deal with TCP to fend off the destruction of TransStell. But TransStell was no less damaged, and TCP no less strong. They’d only bought themselves some time — if they could use it.

Now, if I can elude Real Life’s attention for awhile, maybe I can crank out these beats!

Progress! Otherwise Known as “Beats are Hard!”

By terranceacrow | News

Okay, maybe “Beats are hard” is a little hyperbolic. They’re only hard in comparison to something, and when I’m in a complain-y mood, beats are hard compared to sitting and drowsing on the couch. But if I’m honest, beats are actually easier that the regret I’ll feel if I don’t finish them!

In my last post, I mentioned that I was working on the beats for “Divinity Descending” (it was called “Divinity Falling”). Then, I had about 10 chapters outlined. Now, I have over forty.  I’ve finished the Setup and the Response (based on Larry Brooks’ Story Engineering, which you can buy it here — I can’t recommend it enough!), which means that according to Billy Wilder’s plot nomenclature, my main character is up in the tree, and the tree’s now fully engulfed in flames.

I’m really enthusiastic about that description!

Not only do I have the beats sketched for 40+ chapters, but I’ve greatly refined the map of the North American continent since the time of my screen shot comparing Scrivener to Storyist.

I’ve also greatly expanded the list of characters and locations. A lot of the story happens in Columbiana, Ohio, which rests northwest of the remains of Columbus. It’s basically the result of Delaware, Ohio and Marysville, Ohio. I’m not sure if the backstory will make it into the novel (at least the first novel), but Colonial America made several deep incursions into The Middle States, and both Columbus and Cleveland were nearly destroyed.

Fortunately for the story, Old Cleveland is fertile ground: The ghast has taken up residence there. What, a ghast? You can read a little about the ghast in this post.

I still hope to get a mailing list up and running soon, because if I’m going to independently publish this, I’ll need to have folks (like you?) interested ahead of time.

If you’ve read this far, thanks! I hope this sounds interesting to you.

See you next post!

No More Excuses! (Said More Timidly than the Exclamation Point Suggests)

By terranceacrow | News

I should probably tell you to sit down.

So, for your own safety, please sit down!

Ready?

I’m trying to write again! Semi-defeatist humor aside, I’ve been plugging away for a couple of weeks now after wrapping up the massive spring/summer project. Here’s proof:

 

 

I have the major character fleshed out, as well as many of the world’s settings. It’s been just over a year since I selected the working titles for the trilogy, and only my full time job and family commitments have stopped me from moving forward more rapidly. Well, that and insecurity. Oh, and on a more positive note, I invested in Sterling and Stone’s Fiction Unboxed 1.0. It’s a video/audio/artifact journey. Sean Platt and Johnny B. Truant (with some guest appearances by David W. Wright from Undisclosed, Florida) go from no concept to finished novel in 30 days. Putting aside the achievement of writing a 100,000+ word novel in 30 days, I found the insights gained from seeing how they leverage beats and story planning sessions to be fascinating.

And helpful.

I don’t get any kickback if you invest in that series, so please know I’m only recommending it because I thought it was helpful.

Not ready to invest that much? Then I can recommend the book from Amazon. And I do get a cut if you buy that book, since I’m an Amazon affiliate!

I’ll keep you up to date on my progress. I might share an occasional scene, if there’s interest.

Okay, back to writing for me!

A Ghast in Melchizedek’s Backstory

By terranceacrow | News , Novel Pre-Production

You know how when you’re really into writing — when you forget there’s a keyboard and the words flow unfettered from mind to screen? It’s like establishing a warp field. Until something pierces the field, your creativity’s flowing — but even then, you’re only mostly in control.

Case in point:

I’m working on a scene from Melchizedek’s* adolescence to help me fully envision his backstory. I had a specific goal in mind, and I was happily writing toward that goal. Dek’s was a VR landscape when he encounters an AI ghost that’s supervising some children.

Here’s where things got weird.

I had intended for him to interact first with the ghost, then with the inhabitants of the church/school behind her. I had the several scenes of dialogue queued up. But — and I swear I have no idea why this happened — I got to watch an AI ghast split away from the ghost and confront Dek. As The Spooks Beastiary notes, a ghast is a ghost splinter. The ghost remained on task with the children; the ghast interacted with Dek.

I’ve learned to go with these moments, and by the time the scene was done, a new potential theme and subplot dealing with the ethics of imprisoning an AI, especially an AI that didn’t know it was imprisoned.

Maybe it’s cliche to say, but I’m still a little in awe of the mysteries surrounding the creative process.

If you’re interested in ready the backstory, I have good news! As soon as I get my e-mail list up and running, I intend to offer the backstory as a gift for subscribing. Then, I’ll periodically “reward”** my subscribers with new backstories, story notes, starship sketches, or other pre-production material. Just think: someday, I may be famous! That stuff could become cool mementos!

See you next post!

* My wife suggested that instead of calling him Mel (as I intended to), I should call him Dek. I think she saved me from forever associating the main character of book one with the TV sitcom Alice, in particular Mel’s Diner. I enjoyed the show; I’m not trying to disparage it. But it’s so not the vibe I’m going for in Divinity Falling.

** I hope it’ll seem like a reward!

Prose Just Got Real: The First Trilogy Has Working Titles!

By terranceacrow | News , Novel Pre-Production

My last post mentioned Larry Brooks’ Story Engineering (you can buy it here — I can’t recommend it enough!). The book’s a wealth of information about all aspects of writing a novel, from the nuances of character creation to plotting. The latter was of particular interest to me, since I had concluded that my writing skills lacked one critical part: I didn’t know how to plot a novel.

Yeah, I’m kinda disappointed with me, too. You’d think by now…

Putting aside my natural tendency to take myself to try myself, convict myself, and give myself a stern talking to, I’ve finished Story Engineering. I’m excited to say that after digesting the chapters about plot, and after applying the architectural principles Mr. Brooks described, I’ve come to a conclusion.

He’s right. There’s a repeatable way to approach plot. And I think I can do it.

That was the last obstacle to me starting my first trilogy. Well, to be completely honest, my first trilogy since high school. That means my excuses are exhausted.* It’s time to get started.

The trilogy’s working title is The Fall of Caerleon. I’m going to grapple with the idea of the purpose of power; of its uses, abuses, and controls; its links to our empirical and mystical aspects. The Conrad family, much like Masayoshi Son, has a long term plan to better humanity. Will that plan survive the enemies arrayed against it? Will it survive the Conrad family?

The first book, Divinity Falling, follows Melchizedek “Dek” Conrad as he struggles to push back the advances of Terran Consolidated Products and its hyper-cash reserves against his company. At the same time, his company is trying to get off world to gain the breathing room it needs to take the family’s plan to the next stage. Which force will be more compelling?

Olympia Dreaming, the second book, follows Jack Conrad’s fight against Aldertraum, one of Earth’s colonies, as it tries to take humanity on a dark but unfortunately familiar path. Can humanity rise above its hard-wired behaviors? Or is it doomed to remain in the cave forever? This takes place a couple of decades in Divinity Falling’s future.

The last book of this trilogy, Founders’ Rising, presents Benjamin Conrad and the maiden voyage of the Resolution. Set just after Olympia Dreaming, the story portrays the conflict between human power and its links to claims of divinity. Can human overcome their ancient tendencies, even in the face of species extinction? Will Aldertraum’s attacks prevail? Are they even the real enemy? Or is our own nature much more deadly?

The problem of human power has always fascinated me. We need power to get things done, to influence groups to come together to accomplish things that individuals can’t achieve. At the same time, our history’s littered with the aftermath of power gone mad. History’s also full of attempts to manage or control power. Most recently, we see the foundation of the United States and the establishment of three branches of government to act as checks on power. We’re witnessing a time when those checks have been attacked and eroded, but that just increases my interest: how can humanity harness its collective will without falling into demagoguery? How can we withstand the corrosive effects of hyper-cash — and should we? If we should, why? What’s the justification? I hope to explore those questions in this trilogy.

How do the titles sound to you? Any thoughts on humans and their exercise of power?

Now, please excuse me. I have some work to do!

* If you’re a writer, you’ll understanding to interpret this not as a statement of fact, but as a desparate plea!